Showing posts with label historical fiction. Show all posts
Showing posts with label historical fiction. Show all posts

Tuesday, 24 July 2018

A Plague on Mr Pepys by Deborah Swift


I am delighted to welcome Deborah Swift today and learn more about her new release in the Women of Pepys Diary Series - A Plague on Mr Pepys. There is a fantastic giveaway at the end of this post, so don't miss out!


Series:  Women of Pepys Diary Series #2
Genre: Historical Fiction
Release Date: July 5th 2018
Publisher: Accent Press
The second novel in the series based on the different women in Samuel Pepys’s famous diary.

Sometimes the pursuit of money costs too much...

Ambitious Bess Bagwell is determined that her carpenter husband, Will, should make a name for himself in the Navy shipyards. To further his career, she schemes for him to meet Samuel Pepys, diarist, friend of the King and an important man in the Navy.
But Pepys has his own motive for cultivating the attractive Bess, and it's certainly not to benefit her husband. Bess soon finds she is caught in a trap of her own making.
As the summer heat rises, the Great Plague has London in its grip. Red crosses mark the doors, wealthy citizens flee and only the poor remain to face the march of death. 

With pestilence rife in the city, all trade ceases. 

With no work as a carpenter, Will is forced to invest in his unscrupulous cousin Jack's dubious 'cure' for the pestilence which horrifies Bess and leaves them deeper in debt. 
Now they are desperate for money and the dreaded disease is moving ever closer. Will Mr Pepys honour his promises or break them? And will they be able to heal the divide that threatens to tear their marriage apart?

EXTRACT

London, March 1663

‘Here’s the address,’ Bess said, pressing the paper down on the table in front of her husband. She patted him on the shoulder, which released a puff of dust. Will was a fine figure of a man – tall and blond, with arms muscled from lifting timber, and the fine-boned hands of a craftsman, but his clothes were always full of sawdust and wood-shavings.

He turned and smiled, with an expression that said he was ready to humour her.

‘It’s on the other side of the Thames, close to one of the shipyards. Big houses all round. A nice neighbourhood. Quiet.’

‘Where?’ Will asked, standing to pick up the paper, and stooping from habit because their attic room was so low.

‘Deptford.’ She held her breath.

‘Deptford?’ he said, throwing it back down. ‘We’re not living in Deptford.’

‘Oh, Will, it has to stop sometime. He won’t even know we’re there.’

‘You don’t know my father, he gets to know everyone’s business.’

‘That’s no reason. That terrible brimstone preacher lives just round the corner, and we manage well enough to avoid him.’

‘Ho, ho.’

‘We need never see your father. The Deptford yard is enormous. More than a mile end to end. Just think, you could work there fitting out ships, and you’d never set eyes on him.’ She tugged at his sleeve. ‘The workshop’s so fine – you should see the workbench. More than eight foot long, and it runs right under the window. You can nearly see the whole shipyard from there.’ She paused; she knew his weak spot well. ‘And the house will be perfect for your new commission. You won’t have to hire a work place again.’

‘It’s more than we can afford, love, to buy a house.’

‘You’ll get better commissions though, once people see Hertford’s chairs. You should see it! There’s room for your lathes and there’s already a wall with hooks for hanging tools. Just come and look, Will. That’s all.’

Will sighed. ‘Suppose looking won’t hurt.’

*

In the panelled chambers of Thavie’s Inn, Holborn, Will Bagwell lifted the quill and dipped it in the ink. His heart was pounding beneath the buttons of his doublet. The paper before him was thick vellum, as if to emphasise the serious nature of the agreement. Ten years’ of his wages in a good year. An enormous loan. He wanted to read it again, for it was a lot of writing to take in, in a language that took some fathoming. But they were all waiting.

Behind him, he could hear Bess breathing; feel the heat of her hand on his shoulder. He tapped the nib on the edge of the bottle to shake off the excess droplets of ink; Bess’s hand tightened. He swallowed. Just shy of sixty pounds. If he signed this, there would be no going back.

He hesitated, and looked up. Opposite him, the turtle-faced goldsmith, Kite, nodded and narrowed his eyes in a tight smile of encouragement. The notary, an official from the Inn of Chancery in a blindingly white cravat, was impatient, shifting from foot to foot. No doubt he’d seen such an agreement many times.

A deep breath. Will felt the nib touch the paper and suddenly, there it was – his signature flowing across the page. He had no sooner lifted the pen from the document than it was swiped out from under his gaze, and Kite the money-lender was scribbling his name under Will’s. Immediately, a serving boy came with a stub of smoking sealing wax, and even before Kite had time to press the metal die into the red puddle on the paper, the notary was adding his witness signature.

It was over in a few seconds and Will’s damp palm was gripped momentarily in Kite’s wrinkled one, before the duplicate loan agreement and the house deeds were thrust into his hand for him to sign.

‘My man Bastable will collect the repayments on the last day of each month,’ Kite said.

Will felt dazed. He wanted to turn back time, give the agreement back. But they were all smiling, Bess most of all. Her face lit up the room. She had her fine house now, and he couldn’t let her down, could he? But all he could think of was the feeling of his empty purse, like a lung with the breath squeezed out of it.

BUY LINK
Check out book 1 in the series!



PRAISE FOR PLEASING MR PEPYS

'Swift is a consummate historical novelist, basing her books on immaculate research and then filling the gaps between real events and real people with eloquent storytelling, atmospheric scene setting and imaginative plot lines' The Visitor

'Pepys and his world spring to vibrant life...Gripping, revealing and stunningly imagined, Pleasing Mr Pepys is guaranteed to please' Lancashire Evening Post

ABOUT THE AUTHOR

From Deborah Swift:
I write historical fiction, a genre I love. I loved the Victorian classics such as Jane Eyre, Lorna Doone and Wuthering Heights. As I child I loved to read and when I had read my own library books, I used to borrow my mother's library copies of Anya Seton and Daphne du Maurier. I have loved reading historical novels ever since; though I'm a bookaholic and I read widely - contemporary and classic fiction as well as historicals. 

In the past I used to work as a set and costume designer for theatre and TV, so I enjoy the research aspect of creating historical fiction, something I loved doing as a scenographer. Each book takes about six months of research before I am ready to begin writing. More details of my research and writing process can be found on my website. I like to write about extraordinary characters set against the background of real historical events.

I live in North Lancashire on the edge of the Lake District, an area made famous by the Romantic Poets such as Wordsworth and Coleridge. 
I took an MA in Creative Writing in 2007 and now teach classes and courses in writing, and offer editorial advice from my home. A Plague on Mr Pepys is my ninth published novel.

GIVEAWAY
1 paperback (UK only) & 1 ebook(international)

Thursday, 8 February 2018

Unexpected murder...Romancing Robin Hood by Jenny Kane

I am delighted that Jenny Kane has accepted to be my guest today to talk about her latest release Romancing Robin HoodA very warm welcome to you, Jenny! What can you tell us about Romancing Robin Hood?

Many thanks for inviting me to visit your fabulous blog as part of my blog tour to promote my part modern romance/part medieval mystery novel, Romancing Robin Hood.

After years of writing light hearted coffee shop reads, the last thing I expected I'd be doing during the drafting of a romance novel was plotting my first murder (on paper that is!). Yet, that is exactly what I happened when I wrote Romancing Robin Hood.

Perhaps, with a legendary outlaw in the title, it isn't so surprising that I have found myself sorting out the finer points of a murder mystery- and yet I didn't see this coming. Whenever I begin a new novel, I have plenty of ideas, sketch out a plotline, and cobble together a synopsis, but at the same time I very much like my characters to take hold of the story themselves. I enjoy travelling with them, and being as surprised (hopefully) as my readers will be when they read my finished work.

Romancing Robin Hood is a contemporary romance all about history lecturer Dr Grace Harper, who is nuts about Robin Hood and the historical outlaws that may have inspired him. Not only does Romancing Robin Hood tell the story of Grace’s fight to find time for romance in her busy work filled life, it also contains a secondary story about the fourteenth century criminal gang Grace is researching- the Folvilles. This family, based in Ashby-Folville in Leicestershire, were a group I researched myself as a student many moons ago.

In the novella she is writing, Grace’s fourteenth century protagonist, Mathilda of Twyford, is getting to know the Folville family rather better than she would have liked. As well as being forced to live under their roof, Mathilda suddenly finds herself under a very frightening type of suspicion. (I won’t elaborate or it will spoil the story)

Blurb

When you’re in love with a man of legend, how can anyone else match up?
Dr Grace Harper has loved the stories of Robin Hood ever since she first saw them on TV as a teenager. Now, with her fortieth birthday just around the corner, she’s a successful academic in Medieval History—but Grace is stuck in a rut.

Grace is supposed to be writing a textbook on a real-life medieval criminal gang—the Folvilles—but instead she is captivated by a novel she’s secretly writing. A medieval mystery which entwines the story of Folvilles with her long-time love of Robin Hood—and a feisty young woman named Mathilda of Twyford.

Just as she is trying to work out how Mathilda can survive being kidnapped by the Folvilles, Grace’s best friend Daisy announces she is getting married. After a whirlwind romance with a man she loves as much as the creatures in her animal shelter, Daisy has press-ganged Grace into being her bridesmaid.

Witnessing Daisy’s new-found happiness, Grace starts to re-evaluate her own life. Is her devotion to a man who may or may not have lived hundreds of years ago really a substitute for a real-life hero of her own? Grace’s life doesn’t get any easier when she meets Dr Robert Franks—a rival academic who she is determined to dislike but finds herself being increasingly drawn to… If only he didn’t know quite so much about Robin Hood.

Suddenly, spending more time living in the past than the present doesn’t seem such a good idea...

***
I must confess I'm rather enjoyed weaving this darker subplot around the main romance of the modern part of Romancing Robin Hood. I had no idea killing someone off could be so much fun! It was rather like doing a jigsaw from in the inside out, while having no idea where the corners are!

Here’s an extract for you.

Mathilda thought she was used to darkness, but the dim candlelight of the comfortable small room she shared at home with her brothers was nothing like this. The sheer density of this darkness seemed to envelop her, physically gliding over Mathilda’s clammy goose-pimpled skin. This was an extreme blackness that coated her, making her breathless, as if it was stealthfully compressing her lungs and squeezing the life from her.

Unable to see the floor, Mathilda presumed, as she pressed her naked foot against it and damp oozed between her toes, that the suspiciously soft surface she was sat on was moss, which in a room neglected for years had been allowed it to form a cushion on the stone floor. It was a theory backed up by the smell of mould and general filthiness which hung in the air.

Trying not to think about how long she was going to be left in this windowless cell, Mathilda stretched out her arms and bravely felt for the extent of the walls, hoping she wasn’t about to touch something other than cold stone. The child’s voice that lingered at the back of her mind, even though she was a woman of nineteen, was telling her – screaming at her – that there might be bodies in here, still clapped in irons, abandoned and rotting. Mathilda battled the voice down; knowing it that would do her no good at all. Her father had always congratulated Mathilda on her level headedness, and now it was being put to the test. She was determined not to let him down now.

Placing the very tips of her fingers against the wall behind her, she felt her way around. It was wet. Trickles of water had found a way in from somewhere, giving the walls the same slimy covering as the floor. Mathilda traced the outline of the rough stone wall, keeping her feet exactly where they were. In seconds her fingers came to a corner, and twisting at the waist, she managed to plot her prison from one side of the heavy wooden door to the other, without doing more than extending the span of her arms.

Mathilda decided the room could be no more than five feet square, although it must be about six foot tall. Her own five-foot frame had stumbled down a step when she’d been pushed into the cell, and her head was at least a foot clear of the ceiling. The bleak eerie silence was eating away at her determination to be brave, and the cold brought her suppressed fear to the fore. Suddenly the shivering Mathilda had stoically ignored overtook her, and there was nothing she could do but let it invade her small slim body.

Wrapping her thin arms around her chest, she pulled up her hood, hugged her grey woollen surcoat tighter about her shoulders, and sent an unspoken prayer of thanks up to Our Lady for the fact that her legs were covered.

She’d been helping her two brothers, Matthew and Oswin, to catch fish in the deeper water beyond the second of Twyford’s fords when the men had come. Mathilda had been wearing an old pair of Matthew’s hose, although no stockings or shoes. She thought of her warm footwear, discarded earlier with such merry abandon. A forgotten, neglected pile on the river bank; thrown haphazardly beneath a tree in her eagerness to get them off and join the boys in their work. It was one of the only tasks their father gave them that could have been considered fun.

Mathilda closed her eyes, angry as the tears she’d forbidden herself to shed defied her stubborn will and came anyway. With them came weariness. It consumed her, forcing her to sink onto the rotten floor. Water dripped into her long, lank red hair. The tussle of capture had loosened its neatly woven plait, and now it hung awkwardly, half in and half out of its bindings, like a badly strapped sheaf of strawberry corn.

She tried not to start blaming her father, but it was difficult not to. Why hadn’t he told her he’d borrowed money from the Folvilles? It was an insane thing to do. Only the most desperate … Mathilda stopped her thoughts in their tracks. They were disloyal and pointless...

...Does Mathilda seem miserable and scared enough? Grace wasn’t sure she’d laid the horror of the situation on thick enough. On the other hand, she didn’t want to drown her potential readers in suffering-related adjectives.

No, on reflection it was fine; certainly good enough to leave and come back to on the next read through. She glanced at the clock at the corner of the computer screen. How the hell had it got to eight thirty already? Grace’s stomach rumbled, making her think of poor Mathilda in her solitary prison.

Switching off her computer, Grace crammed all her notes into her bag so she could read over them at home, and headed out of her office. Walking down the Queen’s Road, which led from the university to her small home in Leicester’s Clarendon Park region, Grace decided it was way too hot, even at this time of the evening, to stand in the kitchen and attempt, and probably fail, to cook something edible, so she’d grab a takeaway.

Grateful it wasn’t term time, so she didn’t have to endure the banter of the students who were also waiting for associated plastic boxes of Chinese food, Grace speedily walked home, and without bothering to transfer her chicken chow mein to another dish, grabbed a fork, kicked off her shoes, and settled herself down with her manuscript...

***
You can find all the buy links for Romancing Robin Hood here

(Please note that this is a re-released, re-edited and re-covered novel)

***
Many thanks again, Marie.
Happy reading everyone,
Jenny xx


Bio
With a background in history and archaeology, Jenny Kane should really be sat in a dusty university library translating Medieval Latin criminal records, before writing research documents that hardly anyone would want to read. Instead, tucked away in the South West of England, Jenny Kane writes stories with one hand, while designing creative writing workshops for ‘Imagine’ with the other.

Jenny spends a large part of her time in her local Costa, where she creates her stories, including the novels Romancing Robin Hood (LittWizz Press, 2018), Abi’s Neighbour (Accent Press, 2017), Another Glass of Champagne (Accent, 2016), Abi’s House (Accent Press, June 2015), the best selling contemporary romance Another Cup of Coffee (Accent Press, 2013), and the novella length sequels Another Cup of Christmas (Accent Press, 2013), Christmas in the Cotswolds, (Accent Press, 2014), and Christmas at the Castle, (Accent Press, 2015).

Jenny also writes medieval crime fiction as Jennifer Ash.

The Outlaw’s Ransom and The Winter Outlaw will both be published by Littwitz Press in early 2018

Jenny Kane is also the author of quirky children’s picture books There’s a Cow in the Flat (Hushpuppy, 2014) and Ben’s Biscuit Tin (Hushpuppy, 2015)
Keep your eye on Jenny’s blog at www.jennykane.co.uk for more details.
Twitter- @JennyKaneAuthor   @JenAshHistory     @Imagine_Writing
Facebook -https://www.facebook.com/JennyKaneRomance?ref=hl  
Facebook for Jennifer Ash -https://www.facebook.com/jenniferashhistorical/?ref=bookmarks  


Jenny Kane also writes erotica as Kay Jaybee. (www.kayjaybee.me.uk)


Thursday, 16 June 2016

Isabella of Angoulême by Erica Laine


Genre: Historical Fiction
Release Date: October 2015
Publisher:  SilverWood Books
Set in the thirteenth century, the kingdoms of England and France are struggling over territory as the powerful Angevins threaten the French king. In regions far from Paris local fiefdoms disregard all authority.
The Tangled Queen is the story of the little known and very young Isabella of Angoulême who was abducted by King John in 1200. She became his second wife and queen consort, aged 12. He was the most reviled king in English history and his lust for her led to the loss of Normandy and the destruction of the Plantagenet Empire, which then brought about the Magna Carta.
Isabella came of age in England, but was denied her place in court. Her story is full of thwarted ambition, passion, pride and cruelty. She longed for power of her own and returned to France after the death of John to live a life of treachery and intrigue…

EXCERPT from Isabella of Angoulême: The Tangled Queen Part 1
Isabella smiled and yawned – it was time these chattering girls left. She dismissed them, haughty and impatient. Away they sped, some calling back to Isabella, jokes and remarks full of innuendo for her future. She frowned; this was not the way to treat a future queen.
          ‘Agnes, help prepare me for bed.’
          Agnes closed the chamber door, unlacing the back of Isabella’s dress, folding the glorious red and gold silk into the large chest. Tomorrow Isabella would wear the blue gown, the splendid blue and silver fabric showing wealth and also loyalty. If red and gold had shown the power and wealth of the Taillefers, then the blue would mark their obedience and fealty.
          Early the next morning Agnes was busy preparing a scented bath. Precious rose oil, drop by drop, turned the hot water cloudy. And then she was busy mixing the rosemary wash for Isabella’s hair. She would wear her hair loose today, and her small gold guirland.
          Isabella woke up and saw Agnes looking at her, long and thoughtful, ready to make her stir, but she was already throwing back the covers and standing and stretching. Agnes nodded and together they moved to the bath, and Isabella slipped into the milky, perfumed water and rubbed the rosemary wash into her hair. She felt the water running down her back and shivered. Then she was being briskly dried by Agnes, who was determined to treat Isabella to the most thorough of preparations.
          Her mother Alice entered the room and the three of them unfolded the wedding gown and dressed Isabella. Her chemise was soft and light, the dress heavy and cumbersome. Arranged within it, held within it as if caged, her face pale but proud, she moved to the window and looked down onto a courtyard full of people, horses, carts and wagons. A procession was moving through the crowd, with a stately canon and an even more stately bishop in the centre. The clergy were intent on their walk to the cathedral. Isabella clutched Agnes in a sudden fear. Then she rested her head on the window and took a deep breath. It was her wedding day.
ABOUT ERICA LAINE
I was  born in 1943 in Southampton and originally studied for the theatre.  I moved with my family to Hong Kong in 1977 and worked and lived there for 20 years, writing English language textbooks for Chinese primary schools and managing large educational projects for the British Council.
Since living in S W France I have been very involved with a local history society and have researched many topics, the history of gardens and fashion being favourites.

Isabella of Angoulême began in 2011 at a writing workshop run by Philippa Pride, the Book Doctor.  The story of this young queen was fascinating and although she appears as a character in some other historical novels I wanted to concentrate on her entire life and her importance to the English and the French and the role she played in the politics of power. Part Two is being written now and my head is more or less permanently in the thirteenth century.

Facebook:
Twitter:
https://twitter.com/LaineEleslaine

GIVEAWAY
2 ECOPIES OF THE BOOK

Tuesday, 19 April 2016

Welcome to Tom Williams and BACK HOME


I am delighted to welcome fellow Áccent Press author Tom Williams on the blog today. Tom's latest historical  novel 'BACK HOME' was released on April 14th. Welcome, Tom, and thank you for being a guest today. What inspired you to write your John Williamson stories?
Historical novels come in all shapes and sizes. Many are pure escapism – whether they are tales of love and romance, or of battle and adventure. Many, though, use the past to comment on the present. Sometimes it is easier to talk about the 21st century by writing about events that seem safely in the dead past. Even in my straightforwardly escapist adventure story about the British expedition to Argentina in 1806, the whole question of when a liberation becomes an invasion does rear its ugly head. I was in Argentina researching this soon after the Iraq invasion and some of the documents the British produced, which promised the locals freedom from Spanish tyranny, look remarkably similar to the promises we were making to the Iraqis at the time. You can enjoy Burke in the Land of Silver without knowing or caring that the whole ‘invasion or liberation’ argument had happened almost two hundred years earlier, but if you picked up the reference it might have given you food for thought.

The John Williamson stories, set against a background of Victorian colonialism, were always going to be more political. As ‘colonialism’ has become a bad word, the question of what Britain was doing ruling so much of the world and whether this had any positive aspects has become a very sensitive one. My answer is that the history of colonial rule is more complicated and morally ambiguous than we often see it these days, although colonialism, in the end, seems to damage both the colonialists and the people they colonise. I’ve tried to reflect this in Williamson’s first two adventures, The White Rajah and Cawnpore, where his efforts to improve life for the natives in the Far East both end in bloodshed.

In Back Home the political issues are central to the story. After a lifetime in the Far East, Williamson returns to London to find a city where the gap between the ruling classes and the poor reflects the gap between colonisers and colonised in Borneo and India. The London of 1859 faced many of the same challenges as we see today: mass immigration, political unrest, the threat of political violence, and rapid expansion of the city which stretched its infrastructure to breaking point – all this against foreign policy concerns and the fears of Britain being drawn into a new war in Europe.

Would our rulers today respond to political unrest with surveillance by government agents, blackmail, police brutality, unlawful detention and even murder? I couldn’t possibly say. But John Williamson discovers that the authorities in 1859 can be very ruthless indeed.

Enjoy Back Home as a tale of crime and adventure with a Dickensian backdrop or as a comment on London today. It's entirely your choice. I hope it’s a good read either way but I hope, too, that there is stuff in there to make you think about 2016 as well as 1859.
 Author bio
Tom used to write books for business. Now he writes about love, death, and adventure in the 19th century, which is much more fun. It also allows him to pretend that travelling in the Far East and South America is research. Tom lives in London. His main interest is avoiding doing any honest work and this leaves him with time to ski, skate and dance tango, all of which he does quite well.

You can find Tom at



Twitter @TomCW99

Excerpt:

John Williamson has arranged to meet someone in a public house in Seven Dials, a slum near Covent Garden.

  The triangular shape of the building, occasioned by the peculiar arrangement of the streets, meant that the interior was well lit, despite the grime that covered the windows. Twenty or thirty people sat about the place or lay slumped over the tables, apparently sleeping. A couple of fellows were standing at the bar. They were being served not beer, but a clear liquid which, from the prevailing smell of the place, I recognised as gin.

As I watched, the men at the bar upended their glasses, downing the contents at a gulp, before making their way uncertainly to a space at one of the tables, where, regardless of the mess of crumbs and pooled liquor that stained it, they settled their heads upon the wood and promptly fell into a stuporous sleep.

Watching the scene, I paused, uncertain of whether or not to remain. The landlord, though, called across while I hesitated.

‘What’s your pleasure, sir?’

He spoke with a distinctly Irish lilt to his voice and I stepped hesitantly forward. ‘A pint of beer?’

‘We’ll serve you beer willingly, sir.’ He made his way to the beer pumps that lay at the farther end of the bar. ‘We serve Wood Yard’s here, sir, a fine beer and local. Do you know the brewery, sir?’

I confessed that I did not and he insisted on explaining exactly where it was. It stood, indeed, nearby and if the pervasive stench of the place was not so strong I would probably have smelt the distinctive aroma of beer being manufactured, but the brewery lay a little to the South and out of my way. ‘It’s a fine beer, sir, you must admit it,’ he said, passing over a glass of some cloudy liquid which, once I sipped at it, I had to admit tasted a great deal better than it looked.

‘You’ll be wanting to sit with that,’ he said.

I glanced around, but the two men who had been at the bar when I arrived seemed to have taken the last convenient seats. This did not worry the landlord, though, for he stepped from behind the bar and walked to one of the nearer tables where he proceeded to shake awake the man who was slumped there. ‘It’s time you were awake, Higgins. Will you have another glass?’

Higgins shook his head, gazing blearily around. He reached toward his trouser pocket and then, as if recollecting himself, shrugged. ‘No money,’ he mumbled.

‘Then you’d best be on your way,’ the landlord said, not unkindly and, taking Higgins firmly by the arm, he escorted him to the door.

I took the place he had vacated and concentrated on my beer, trying to ignore the stentorian snoring of the men on either side of me. I sipped slowly, anxious that I should not have finished before Harry had the chance to join me.

I need not have worried. Barely ten minutes after I had started my pint, Harry Price appeared that the door.

I beckoned him over, calling for the barman to provide another drink.

The barman poured Harry’s beer and brought it to our table, nudging one of my neighbours awake and evicting him, as he had the unfortunate Higgins.