Ancient
manuscripts and A PARIS FAIRY TALE
By Marie Laval
I read articles and books on
the subject – my two favourite books being the wonderful Meetings with remarkable Manuscripts by Christopher de Hamel and Master of Death by Michael Camille – but
I also registered on a couple of courses on Ireland and the Book of Kells run by
Futurelearn (https://www.futurelearn.com/courses/book-of-kells)
and on art trafficking (https://www.futurelearn.com/courses/art-crime),
both so very informative and completely free!
The main plot of A PARIS FAIRY TALE revolves around
a manuscript which everybody believed destroyed in a fire, but which
mysteriously resurfaces and which the heroine, Dr Aurora Black, is asked to
authenticate and value. The manuscript in question is the Heures de Turin, a genuine illuminated manuscript, which was indeed
lost in the great fire of the Turin University Library. Therefore, the story of
it being found again is completely fictional!
So what did I learn in the course of my research?
Lots and lots of fascinating facts but I will limit myself to five.
1. Most
manuscripts from medieval Europe were written on vellum, or animal skin,
usually calf, sheep or goat. The production of one single book would usually
require the skins of a whole flock.
 |
| Photo courtesy of Pixabay |
2.
The largest
illuminated manuscript is the Codex Gigas, currently located in the National
Library in Stockholm. Also called The Devil’s Bible because it is believed to
be cursed, it is nearly nine inches (22cm) thick and 36 inches (92cm) tall, and
is said to have required more than 160 animal skins to complete. It was created in the 13th century in the
Benedictine monastery of Podlažice in Bohemia. The ‘most mysterious’
manuscript is the Voynich manuscript, written in an unknown writing system no professional
code-breaker or cryptographer has yet managed to translate. It has been carbon
dated to the 15th century, and features hundreds of very peculiar astrological,
anatomical and vegetal illustrations.
3. The
most common pigment used in illuminated manuscripts was red. The most precious
was ultramarine, obtained from lapis lazuli, which came all the way from Afghanistan
and was more precious than gold.
 |
| Photo courtesy of Pixabay |
4. When
book production was no longer the monopoly of monasteries and guilds of
illuminators were established, many workshops employed women to paint borders,
letters or miniatures in manuscripts, but Christine de Pizan (1364-1430) was
the first ‘woman of letters’ to make a living by writing, illustrating and
producing books for the French court.
5. As
a deterrent against theft and vandalism, scribes would write dramatic curses in
manuscripts threatening thieves with excommunication, disease and pain. Here
are two examples of such curses: “May the
sword of anathema slay if anyone steals this book away” or “If
anyone take away this book, let him die the death; let him be fried in a pan;
let the falling sickness and fever size him; let him be broken on the wheel,
and hanged. Amen.”
A
PARIS FAIRY TALE
Is Paris the city of happily ever afters?
Workaholic
art historian Aurora Black doesn’t have time for fairy tales or Prince
Charmings, even in the most romantic city in the world. She has recently been
hired by a Parisian auction house for a job that could make or break her
career. Unfortunately, daredevil journalist Cédric Castel seems intent on
disrupting Aurora’s routine.
As
Aurora and Cédric embark on a journey across France, they get more than they
bargained for as they find themselves battling rogue antiques dealers and
personal demons, not to mention a growing attraction to each other.
But with the help of a fairy godmother or two, could they both find their happily ever afters?
But with the help of a fairy godmother or two, could they both find their happily ever afters?
A PARIS FAIRY TALE is available as an ebook and Audio book from https://www.amazon.co.uk/Paris-Fairy-Tale-heart-warming-recommended-ebook/dp/B07SV2VTJL/ref
